You never lose touch with your cool wallpaper Omnibox The bubbles at the centre of the page below the search bar function kind of like bookmarks, by listing your favourite pages (It starts off by showing you pages that you are likely to visit). There isn't much you can do to change this right now, unlike themes in Firefox and Chrome. The start page in neon makes an effort to appear less intrusive by using your wallpaper as its background. The browser should open automatically once the installation is done. Once it has downloaded, simply run the installer file and wait for the installation to complete. Go to their website on Windows or Mac and download the installer. Opera offers a look into the future of web browsing Where to get it? Built on top of the Blink physics engine, it offers a host of new and interesting animations and features, and we’re going to show you how to use them. With the goal of building a browser for the future, Opera has launched Neon, a concept browser similar to the idea of concept cars - it’s not entirely practical yet, but gives a glimpse of where we are headed. Formerly a mostly-text platform, it now hosts media and applications that fail to be presented optimally in the dated environment. When it comes to web browsers however, Opera seems to have taken the mantle with its new concept browser, Neon. But most of these hail from the hardware realm and when it comes to software, such thoroughgoing changes are fewer in number. Cars are driving themselves, homes are maintaining themselves and in general, everybody is busy offering you their vision of the future - be it through concept cars, concept laptops or even concept toothbrushes and hairbrushes. That isn’t true, muttered orchestra members later in the canteen, who reserved their praise for Barenboim assistant Thomas Guggeis.Everywhere you look, there is a radical reimagining of the way we perceive technology. As the interval lights dimmed, a woman next to me said of the conductor: “I don’t like him but I like his results.” An EU commissioner once said something similar about women’s workplace quotas.Īt the premiere party speech, Thielemann reminded his audience of how he saved the day: “We basically had five days’ rehearsals.” Packing a psychological punch, out of sight in the pit, is the Staatskappelle, the opera house orchestra at the top of its game.Īnyone who thinks of the Ring’s music as heavy, hangover-inducing merlot will not recognise the light, transparent Riesling on offer here, with Wagner’s melodies bent into daring new shapes by conductor Christian Thielemann.įormerly music director at the Wagner Festival in Bayreuth, Berlin-born Thielemann is a polarising figure in Germany. As the audience filed out, fatigued but happy, all agreed that this is the best-sung and best-played Ring in memory.Īs our dim-witted hero, Andreas Schager dances and sings up a storm as Siegfried Anja Kampe brings a compelling human frailty to his bride, Brünnhilde baritone Michael Volle and bass Mika Kares each knock it out of the park with their devious takes on God king Wotan and his revenge-seeking rival, Hagen. But his staging strains, fights, and often ignores the source material, earning him loud boos from many. With an eye for detail the Russian director probes the work’s timeless themes of fate, salvation and the temptations and costs of power. His modular sets - think mid-century modern Cold War bunker - are a technical wonder that can be clicked and stacked together to revolve, or slide past horizontally like a comic book. Following that tradition, Russian director Dmitri Tcherniakov dispenses with verdant magic to set his Ring in a neon-lit experimental facility where minds are made and remade. Postwar German Ring cycles have distanced themselves from the work’s rustic origins. Wagner premiered his revolutionary opera cycle in 1876 in a custom-built house in Bayreuth but didn’t live to see its music, myths and traditional forest aesthetic captured and exploited by the Nazis. Even before the curtain went up, this Ring was the talk of the town. In a plot twist worthy of Succession, the ailing conductor handed the baton to Christian Thielemann, a controversial figure who once had his eye on Barenboim’s job. This Ring cycle was an 80th birthday present to Barenboim, for many an artistic deity. First came a years-long renovation - effectively a rebuild - of the historic opera house then came the open-closed-open pandemic uncertainty.įinally, weeks before the Ring premiere, state opera musical director Daniel Barenboim pulled out due to ill health.
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